翻訳と辞書
Words near each other
・ Kostas Chrysogonos
・ Kostas Davourlis
・ Kostas Davourlis Stadium
・ Kostas Dikefalos
・ Kostas Eleftherakis
・ Kostas Exarhakis
・ Kostas Ezomo
・ Kostas Fortounis
・ Kostas Foufoulas
・ Kostas Frantzeskos
・ Kostas Georgakis
・ Kostas Georgakopoulos
・ Kostas Giannidis
・ Kostas Giannoulis
・ Kostas Giotas
Kostas Gousgounis
・ Kostas Hatziantoniou
・ Kostas Hatzichristos
・ Kostas Hatzis
・ Kostas Kaiafas
・ Kostas Kaimakoglou
・ Kostas Kakaroudis
・ Kostas Kapetanidis
・ Kostas Kapetanos
・ Kostas Kapnisis
・ Kostas Kappos
・ Kostas Karagiannis
・ Kostas Karamanlis
・ Kostas Karipis
・ Kostas Karras


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Kostas Gousgounis : ウィキペディア英語版
Kostas Gousgounis

Kostas Gousgounis ((ギリシア語:Κώστας Γκουσγκούνης); born 21 March 1931 in Larissa, Greece)〔(【引用サイトリンク】url=http://www.retrodb.gr/wiki/index.php/%CE%9A%CF%8E%CF%83%CF%84%CE%B1%CF%82_%CE%93%CE%BA%CE%BF%CF%85%CF%83%CE%B3%CE%BA%CE%BF%CF%8D%CE%BD%CE%B7%CF%82 )〕 is considered a legendary figure of 1970s and 1980s Greek pornography. He is also considered a legend of surrealist sexual comedy.
He has appeared in films such as ''O Idonoblepsias'' (''The Peeping Tom'') and the award-winning Nikolas Triantafyllidis film ''Radio Moscow'' to be followed by ''The Overcoat'' (1996) and ''Mavro Gala'' (''Black Milk'', 2000).〔 He has also made a guest appearance in the popular Greek comedy series ''Tis Elados Ta Pedia'' (''Greece's Boys'').〔 Gousgounis was the honored person in the 3rd Festival of Cult Greek Cinema, which was on February 14, 2005. In a 1971 film, titled ''Sex 13 Beaufort'', he co-starred with Lykourgos Kallergis.
==Life and career==
Gousgounis was born in Larissa, Thessaly to Mimis, a photographer. His father taught him photography and he worked as a photographer in Thessaly before deciding to go to Athens. In Athens he started appearing in various films playing small roles. In 1952 he appeared in the film ''Agne of the Port'', subsequently appearing in surrealist sex comedies, the exception being the film ''Peeping Tom'', his only hardcore film.〔
He was not particularly handsome and his acting ability was average but his comedic, surrealist approach to acting made him a sort of avant-garde actor in Greece in the 70s and 80s. His appeal was widespread amongst the Greek social strata, ranging from students to members of the upper classes who went to see his films attracted by their comedic appeal. His career lasted from the early 70s to mid-80s.〔
He films did not follow the formulaic approach or artistic pretensions of similar Greek films of the era and although low budget he managed to attract a large popular following and set new cinematic trends. The directors of his films allowed him the freedom to improvise during his performance.〔
The showing of his films created the first traffic jams in Thessaloniki and his audience in Athens, mainly university students, after their chemistry labs, walked through the streets to the ''Hellespontos'' cinema in candlelight processions. Once at the cinema, the audience participated in the performance by lighting cigarette lighters and reciting parts of the film dialogue, occasionally shouting "Axios", "Axios" ("Worthy" in Greek).〔
Despite the success of his films and the adoration of his fans, Gousgounis stayed away from the Greek star-system and avoided publicity.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Kostas Gousgounis」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.